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Composing in Sonata Form
Introduction
Course Information
Course Content
Lesson 1 - What's the Big Deal about Sonata Form? (15:56)
Lesson 2 - What is Sonata Form? (24:34)
Lesson 3 - How Mozart Writes in Sonata Form in K.284 (45:09)
Lesson 4 - What Does Beethoven Do Differently in Op.53? (44:12)
Lesson 5 - Composing in Sonata Form Classical Style 1 (First Subject) (24:44)
Lesson 6 - Composing in Sonata Form Classical Style 2 (Second Subject) (27:08)
Lesson 7 - Composing in Sonata Form Classical Style 3 (Adding an Introduction) (17:07)
Lesson 8 - Composing in Sonata Form Classical Style 4 (Adding a Transition Between Subjects) (14:08)
Lesson 9 - Composing in Sonata Form Classical Style 5 (Adding a Codetta to Complete the Exposition) (13:24)
Lesson 10 - Composing in Sonata Form Classical Style 6 (Adding an Additional Second Subject) (19:12)
Lesson 11 - Composing in Sonata Form Classical Style 7 (Developing First Subject Ideas) (26:37)
Lesson 12 - Composing in Sonata Form Classical Style 8 (Developing Second Subject Ideas) (12:06)
Lesson 13 - Composing in Sonata Form Classical Style 9 (Possible Alternative Structures) (15:41)
Lesson 14 - Composing in Sonata Form Atonally 1 (Designing First and Second Subjects) (27:20)
Lesson 15 - Composing in Sonata Form Atonally 2 (Writing an Introduction) (31:09)
Lesson 16 - Composing in Sonata Form Atonally 3 (First Subject Area) (43:29)
Lesson 17 - Composing in Sonata Form Atonally 4 (Second Subject Area) (42:26)
Lesson 18 - Composing in Sonata Form Atonally 5 (Development Section) (48:35)
Lesson 19 - Composing in Sonata Form Atonally 6 (Recapitulation) (20:29)
Lesson 20 - Composing in Sonata Form Atonally 7 (Coda) (13:32)
Lesson 21 - Conclusion (6:51)
Practice Exercises
Sonata Form Analysis
Sonata Form Analysis
Writing a Theme
Thematic Character
Developing Ideas
Writing a Coda
Writing an Introduction
Writing a Transition
Additional Resources
Scores
Recordings
Recommended Practice Resources
Recommended Practice Resources
Your Next Steps
Your Next Steps
Course Review
Course Review
Lesson 4 - What Does Beethoven Do Differently in Op.53?
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